Showing posts with label industrial photography. Show all posts
Showing posts with label industrial photography. Show all posts
12 August 2013
My Day-Friday 9th August-newborns and loaders
04 December 2012
18 September 2012
BlueScope Cardiff-ric woods photography
ric woods photography provides high quality images for industry
17 December 2011
MAK workwear-ric woods photography

Troy from MAK workwear commissioned us as he is looking to update his images on his website of clothing for trades men and women.Capturing Fluro Colours with reflective stripes??....NO WORRIES !!

Its all in the angles of light....
07 December 2011
metso minerals-ric woods photography
We were asked to document the construction of a high frequency screen at metso minerals the other day.It was great to be there again.Its boys toys for sure.I really enjoy seeing the gear these local boys build....makes me feel proud









15 August 2011
Industrea Mining Equpment Behind the Scenes Photo Shoot-ric woods photog...
Here is maree nichols, studio manager and photographer, for ric woods photography with a behind the scenes look at the photo shoot at Industrea Mining Equipment's Photo shoot late last year- Fantastic Australian made mining equipment
19 February 2011
metso low head screen-ric woods photography feb 011
Metso minerals australia pty ltd commissioned me to photograph this screen.These fantastic australian made pieces of equipment are designed to "shake their brains out" sifting ore and minerals and NOT to break.The workmanship is a credit to the crew in the Carrington facility.
08 September 2010
ric woods photography shooting for Industrea Mining Equipment & Metso Minerals (aust) Ltd
We offer our clients many services including high quality image capture on digital or film. Extensive digital post production service are available also. 
Many of the machines we photograph cannot be moved from where they are constructed this is where our deep etch technique. We can drop our clients 80 tonne machine onto any background they choose, including white. We consider many factors in producing the finished image.Such as; the centre image in the banner above was dropped onto a background that was off white, this gives the impression that the mining screen white is BHP chosen colour looks SUPER white as the result.
Industrea Mining Equipment another of our mining clients wants their machines presented in the best way possible for their sales brochures overseas.
These images (below) we compiled for a 2m high trade show banner for metso minerals. File sizes of 2 gig and more require computer hardware with "grunt" and this is what we have in our studio."Computers with Grunt"

Many of the machines we photograph cannot be moved from where they are constructed this is where our deep etch technique. We can drop our clients 80 tonne machine onto any background they choose, including white. We consider many factors in producing the finished image.Such as; the centre image in the banner above was dropped onto a background that was off white, this gives the impression that the mining screen white is BHP chosen colour looks SUPER white as the result.
Industrea Mining Equipment another of our mining clients wants their machines presented in the best way possible for their sales brochures overseas.
So after we capture the images such as the Grader and the 80T choc carrier below we then deep etch them and drop them on white for their graphic artist to place in the required setting.


14 August 2010
Industrea Mining Equipment-proofs
YouTube Behind the scenes videos and stills **HERE**
Maree and myself were commissioned to photograph equipment and the manufacturing and assemby sites for the annual report for Industrea Mining Equipment. IME is the largest manufacturer of long wall ming equipment in the world.These a a small selection of proofs ( unedited) from the hundreds of images captured from the full day shoot at two locations. The proofs were sent to the client for selection and then the final editing.Maree below holding the whibal card we use this for colour cast removal. The machine she is standing in front of is called an 80T Choc Carrier. This in one of 6 , it's the largest machine of its type in the world, it's very impressive in the "flesh" and you can have one for your kids to play with for $2,000,000.
The images will be deep etched, that is, the background will be removed and it will be presented on white or a selected back ground to the client
Maree and myself were commissioned to photograph equipment and the manufacturing and assemby sites for the annual report for Industrea Mining Equipment. IME is the largest manufacturer of long wall ming equipment in the world.These a a small selection of proofs ( unedited) from the hundreds of images captured from the full day shoot at two locations. The proofs were sent to the client for selection and then the final editing.Maree below holding the whibal card we use this for colour cast removal. The machine she is standing in front of is called an 80T Choc Carrier. This in one of 6 , it's the largest machine of its type in the world, it's very impressive in the "flesh" and you can have one for your kids to play with for $2,000,000.
The images will be deep etched, that is, the background will be removed and it will be presented on white or a selected back ground to the client
We shot it from many elevations and angles, we like to give our graphic artists the answer...then they can come up with the question.W are well respected for our clean exposures and over delivering.We shoot the brief and add creative spin as an option.
Its important to shoot this equipment as often as possible at 50mm ( optically the way the eye sees things) Doing this reduces distortion.In this case due to its size and the venue that was not not possible.We also supply very wide angle shots the be used as dynamic images to highlight its size.
This is the second venue, the assembly plant.We shot this as an overview and in detail, with and without people still and with people movement.Many of the images are captured with space to add text over image as well as left and right placement on the page.
We show scale and detail and people, this is called an environmental portrait in some cases.
I do like the very wide 12-24mm lens, I sacrifice a little distortion to show the environment.We also captured images using 70-200 2.8,85 1.4,50 1.4 12-24 F4 and the 24-70 2.8. Our iso was 400-800. Nikon D300s, I prefer this camera for our style of shooting over the D700 and D3. The reason is that the others really excel in very low light situations and we treat those situations differently, we use very fast prime lenses or we can call on our lighting kit of 8 strobes and light modifers.The D300 is reported to capture more information on its Sony sensor in good light situation than the D700 and D3.
The image above is the 12-24 F 4 zoom. I'm on a 6 foot ladder.
Maree is capturing portrait images with 85 1.4 on our back up D300.
We always keep the subjects in the loop showing them the images, They always are impressed as professional fast lenses depict a situation very differently than kit lenses.Much less control of the back grounds with the kit lenses.
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